نویسنده
دانشجوی دکتری مطالعات منطقه در دانشگاه جامع امام حسین (ع)
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Computer games are a very popular and attractive media tool for children and adolescents. The state-of-the-art technology of Western computer game production cartels is one of their relative advantages over underdeveloped or developing governments. The gaming industry, in addition to its large commercial and economic interests, is an important transitional tool in the cultural and social realm that, by representing the myths, history, characters, aspirations, and even futuristic strategies of their respective governments, addresses the general public's target audience, and underpins the security structure of society. It attacks. The research question is how to portray Islam and Shi'ism as the axis of West Asian resistance in some computer games, an issue that illustrates the quality of Western cultural influence in the minds of Iranian teens and youth. In this study, using the "representation" approach to cultural studies, taken from the views of Stuart Hall, a leading thinker in cultural studies, the strategy of computer games against the soft security of Iranian society is divided into two themes: "Call of Duty: Modern Warfare" and "Killer Ritual". We analyze. These studies reveal Western media representations of Call of Duty: Modern Warfare to introduce the Resistance Front as a regional terrorist power armed with nuclear weapons, and the play "Killer Religion" to inspire Shiite culture and revolutionary Islam as a historical myth. It's Takfiri currents.
کلیدواژهها [English]
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